Steve uses a Gaussian blur but you could use a lens blur if you published it from Motion. The process is quite simple and involves three steps. By the way, this shot was accomplished with Steve’s GoPro Karma drone set to automatically rotate 360 degrees around a target object. The shot he uses is a from a drone, pointed down to a dock on a lake, where Steve and I are sitting and chatting about Final Cut Pro X, of all things. It also works best when the camera angle is about 30 to 45 degrees, as if pointed down towards a table. – anything that could be made into a miniature set on a table. The process Steve demonstrates will work on any shot but it’s most effective on shots including people or objects like cars, trains, boats, etc. This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on a drone shot in Final Cut Pro X.
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